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Carl Spitzweg Man Reading the Newspaper in His Garden oil painting


Man Reading the Newspaper in His Garden
Painting ID::  38789
Carl Spitzweg
Man Reading the Newspaper in His Garden
mk141 ca.1845/58 Oil on wood 21.3x15.5cm

   
   
     

Carl Spitzweg English Tourists in the Roman Campagna oil painting


English Tourists in the Roman Campagna
Painting ID::  40680
Carl Spitzweg
English Tourists in the Roman Campagna
mk156 1835 Oil on canvas 40x50cm

   
   
     

Carl Spitzweg The Poor Poet oil painting


The Poor Poet
Painting ID::  40687
Carl Spitzweg
The Poor Poet
mk156 1839 Oil on canvas 36.2x44.6cm

   
   
     

Carl Spitzweg The Farewell oil painting


The Farewell
Painting ID::  40720
Carl Spitzweg
The Farewell
mk156 1855 Oil on canvas 54x32cm

   
   
     

Carl Spitzweg A Hypochondriac oil painting


A Hypochondriac
Painting ID::  40731
Carl Spitzweg
A Hypochondriac
mk156 c.1865 Oil on canvas 53x31cm

   
   
     

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     Carl Spitzweg
     German Painter, 1808-1885 German painter. He trained (1825-8), at his father's insistence, as a pharmacist, by 1829 becoming manager of a pharmacy in the Straubing district of Munich. From 1830 to 1832 he made advanced studies in pharmacy, botany and chemistry at the University of Munich, passing his final examination with distinction. On receiving a large legacy in 1833, which made him financially independent, he decided to become a painter. He had drawn since the age of 15 and had frequented artistic circles since the late 1820s; but he had no professional training as a painter. He learnt much from contacts with young Munich landscape painters such as Eduard Schleich the elder and produced his first oil paintings in 1834. In 1835 he became a member of the Munich Kunstverein but left two years later due to disappointment over the reception of the first version of the Poor Poet (1837; Munich, Neue Pin.; second version 1839; Berlin, Neue N.G.), a scene of gently humorous pathos that has since become his most celebrated work. Spitzweg's decision to leave the Kunstverein, however, was also encouraged by his first successful attempts to sell his paintings independently. In 1839 he travelled to Dalmatia, where he made sketches that he used for many later works on Turkish themes (e.g. the Turkish Coffee House, c. 1860; Munich, Schack-Gal.). From the 1840s he travelled regularly, usually with his close friend, the painter Schleich, both within Bavaria and to Austria and Switzerland and also to the Adriatic coast, especially to Trieste.

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     | Sergei Vinogradov | Vasily Tropinin | Zdenka Braunerova |


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